Anton Chekhov (Routledge Modern and Contemporary Dramatists)
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An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props.
Continuing on from the Enlightenment, Volume Two of An Illustrated History of British Theatre and Performance leads its readers from the drama and performances of the Industrial Revolution to the latest digital theatre. This dynamic book offers a comprehensive companion to the theory and practice of Theatre of the Oppressed. Developed by Brazilian director and theorist Augusto Boal, these theatrical forms invite people to mobilize their knowledge and rehearse struggles against oppression.
Broad in scope yet rich in detail, The Routledge Companion to Theatre of the Oppressed contains practical and critical content relevant to artists, activists, teachers, students, and researchers. Featuring texts written by scholars and artists who are diversely situated geographically, culturally, politically, and institutionally , its multiple perspectives broadly address the question "How can we be political now?
These themes were developed in conversation with key thinkers and artists in the field, and the resulting texts engage with artistic works across a range of modes including traditional theatre, contemporary performance, public protest events, activism, and community and participatory theatre. Suitable for academics, performance makers, and students, The Routledge Companion to Theatre and Politics explores questions of how to be political in the early 21st century, by exploring how theatre and performance might provoke, unsettle, reinforce, or productively destabilise the status quo.
Kathy A. The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance—from the nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. Analyses of diverse topics including historical dramas, Broadway musicals, and experimental theatre allow readers to discover expansive articulations of Blackness.
Part II "Institution building" highlights institutions that have nurtured Black people both on stage and behind the scenes.
Part III "Theatre and social change" surveys key moments when Black people harnessed the power of theatre to affirm community realities and posit new representations for themselves and the nation as a whole. Part IV "Expanding the traditional stage" examines Black performance traditions that privilege Black worldviews, sense-making, rituals, and innovation in everyday life. This section explores performances that prefer the space of the kitchen, classroom, club, or field.
This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labour and economic issues that have shaped and enabled African American theatre. The Routledge Companion to Butoh Performance provides a comprehensive introduction to and analysis of the global art form butoh. Originating in Japan in the s, butoh was a major innovation in twentieth century dance and performance, and it continues to shape-shift around the world.
This Companion places the form in historical context, documents its development in Japan and its spread around the world, and brings together the theory and the practice of this compelling dance. The interdisciplinarity evident in the volume reflects the depth and the breadth of butoh, and the editors bring specially commissioned essays by leading scholars and dancers together with translations of important early texts.
The Routledge Companion to Theatre, Performance and Cognitive Science integrates key findings from the cognitive sciences cognitive psychology, neuroscience, evolutionary studies and relevant social sciences with insights from theatre and performance studies. This rapidly expanding interdisciplinary field dynamically advances critical and theoretical knowledge, as well as driving innovation in practice.
The anthology includes 30 specially commissioned chapters, many written by authors who have been at the cutting-edge of research and practice in the field over the last 15 years. A wide-ranging and authoritative guide, The Routledge Companion to Theatre, Performance and Cognitive Science is an accessible tool for not only students, but practitioners and researchers in the arts and sciences as well.
Thomas S. Birgit E. Douglas M. Daniel C. Phillip B.
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Jon S. The Routledge Companion to Adaptation offers a broad range of scholarship from this growing, interdisciplinary field. With a basis in source-oriented studies, such as novel-to-stage and stage-to-film adaptations, this volume also seeks to highlight the new and innovative aspects of adaptation studies, ranging from theatre and dance to radio, television and new media. An emphasis on adaptation-as-practice establishes methods of investigation that move beyond a purely comparative case study model. The Routledge Companion to Adaptation celebrates the complexity and diversity of adaptation studies, mapping the field across genres and disciplines.
The Routledge Companion to Scenography is the largest and most comprehensive collection of original essays to survey the historical, conceptual, critical and theoretical aspects of this increasingly important aspect of theatre and performance studies. Editor and leading scholar Arnold Aronson brings together a uniquely valuable anthology of texts especially commissioned from across the discipline of theatre and performance studies. Establishing a stable terminology for a deeply contested term for the first time, this volume looks at scenography as the totality of all the visual, spatial and sensory aspects of performance.
Routledge Modern and Contemporary Dramatists
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Suddenly the betrayals of Merchant of Venice and the murders of Othello are no longer matters of the past. At the same time his students, who only want a Shakespeare relevant to themselves, learn that they may gain more by making themselves relevant to Shakespeare. Shakespeare in the Theatre: Mark Rylance at the Globe. Crook, Paul B. Search refinements Categories. Fiction 1, Non Fiction Other Books, Comics, Magazines Audio Books 3.
Magazines 2. Collectables Postcards Photographic Images Historical Memorabilia Kitchenalia 2. Metalware 1. Memorabilia 1. Ethnographic Collectables 1. Art Stamps Coins Anton Chekhov offers a critical introduction to the plays and productions of this canonical playwright, examining the genius of Chekhov's writing, theatrical representation and dramatic philosophy.
baxidysunely.tk Emphasising Chekhov's continued relevance and his mastery of the tragicomic, Rose Whyman provides an insightful assessment of his life and work. All of Chekhov's major dramas are analysed, in addition to his vaudevilles, one-act plays and stories. The works are studied in relation to traditional criticism and more recent theoretical and cultural standpoints, including cultural materialism, philosophy and gender studies. Analysis of key historical and recent productions, display the development of the drama, as well as the playwright's continued appeal.
Anton Chekhov provides readers with an accessible comparative study of the relationship between Chekhov's life, work and ideological thought. Help Centre. My Wishlist Sign In Join.